- #Hitfilm pro review movie#
- #Hitfilm pro review upgrade#
- #Hitfilm pro review software#
- #Hitfilm pro review series#
By publishing individual features, you can construct your own templates, which get displayed in the media panel for reuse in any project you want.Ĭreating templates from premade composite shots is not an intuitive process. You can create a template by publishing certain features, like text or colors. Get ready for a learning curve, though, because the whole sequence is not especially intuitive. Plus, you can save, export and share your composite shots with other users. This is cool because it eliminates the need to keep re-creating composite shots. You can create templates from composite shots and publish certain properties from those shots so you can use them directly in the Editor timeline.
#Hitfilm pro review movie#
But if your movie calls for something deeper, the composite shot is always there for you. This allows you to use the template as a basis for changing type style, color, lines and other elements of the lower-third text or animation effect while the basic animation stays the same.įor simple lower-thirds title editing, you can get by without special effects or composite shots. To customize one, just select a preset and access its parameters from the Control tab. HitFilm ships with a number of title presets. This is huge, because most users do not like having to switch between modes to edit text. You can also edit the text from the editor timeline without opening the composite shot that contains the text. You can use the text editor to adjust size, font and color, as well as apply special effects without having to create a composite shot or use a text effect.
You can now use the Text tool natively on the Editor timeline to create a text layer so you can add text wherever you want in your movie. That's one of the reasons we recommend HitFilm as a free, full-featured editing program.
#Hitfilm pro review software#
For systems with integrated graphics, the program's performance is not superfast, but at least the software is usable. A new prefetcher for the trimmer should improve playback performance in the trimmer.īecause HitFilm is a pro tool, it functions best with systems that have discrete graphics. You will see a boost when scrubbing through the timeline and in general playback. Windows GPU decoding has been ramped up considerably, so those with Intel and Nvidia graphics cards will see huge improvements in the handling of video in the timeline. The new version features threaded rendering on all systems and GPU decoding on Intel-based Windows systems.
#Hitfilm pro review upgrade#
HitFilm bills the performance upgrade in Version 12 as the biggest new feature. FXHome was wise not to change too much about HitFilm's launch page.
This gives you access to add-on packs and tutorials in a dynamic, fun and engaging presentation. That’s your workflow as you open the application, what you’ll see first and where you’d go from there….HitFilm opens to what looks like a website but what is actually the program's starter page.
At the very top of Figure 1 (below), you can see there are four buttons: Home, Project, Edit, and Export. To begin, let’s look at the general layout of the application. It’s like taking Premiere Pro and After Effects and making them all inside of one application. I would best sum up HitFilm Pro by saying that if Adobe made this, it would be called Premiere Effects, because FXhome has really done a pretty good job at mashing up a good NLE with a very good compositing application. FXhome’s HitFilm Pro is a relative newcomer to the nonlinear editing software scene.
#Hitfilm pro review series#
This article continues our series of looking at a few alternative NLEs from the perspective of a longtime Premiere Pro editor. This article continues our series of reviews of alternative nonlinear editors from the perspective of a longtime Premiere Pro editor with a look at HitFilm Pro from FXhome. AugEditing Software, fxhome, hitfilm-pro, nle, reviews, vfx